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Category Archives: Audio Converter

Category Archives: Audio Converter

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Frequently asked questions about Digital Audio and Video

This FAQ is provided to Federal agencies to assist them in meeting their records management responsibilities under 44 U.S.C. ch. Agency records officers can use this FAQ as a technical resource in working with staff that Category Archives: Audio Converter and manage digital audio and video records.

Overview

1.    How should I evaluate the suitability of digital audio and video formats for records that need to be retained over the long term (i.e. over multiple generations Category Archives: Audio Converter technology)?

When selecting a format consider the following aspects:

  • The format should be publicly and openly documented.
  • The format is non-proprietary.
  • The format is in widespread use.
  • The format is self-documenting.
  • The format can be opened, Category Archives: Audio Converter, read, and accessed using readily-available tools.

2.    Why isn't NARA issuing formal digital audio and digital video file format transfer guidance at this time?

Due to the rapidly evolving nature of digital audio and video formats and the lack of any open, national or international consensus standards for the creation and preservation of digital audio and video, NARA can not mandate formal transfer guidance at this time.

3.    When converting analog material (audio and video cassettes, record albums, reel-to-reel audio and video tapes, etc.) to digital, what factors should be considered?

The successful production of high-quality digital versions of analog material is dependent on many factors, including the quality and condition of the analog source, equipment, and software.

4.    Should agency-created metadata accompany the digital audio or video files when transferred to NARA?

Yes, agencies should include metadata about digital audio or video files as part Category Archives: Audio Converter transfers to NARA. Usually, the metadata is contained within a separate data file. However, in cases where the metadata is included within the data stream (e.g., as part of the record format), agencies should indicate its presence in the file and provide access instructions.

5.    What is the typical data structure of a digital audio or video file?

A digital audio or video file consists of a container holding source data which has been processed through a codec. A codec (coder-decoder, compressor-decompressor, compress-decompress) transforms the analog signal (from a microphone, video camera, etc.) into the ones and zeros of a digital file, Category Archives: Audio Converter. A codec also can be used to encode material already existing in digital format into another digital format.

6.    What types of codecs are there?

There are two broad categories of codecs:

Lossy Codec: A lossy codec is one that discards certain portions of the signal in order to achieve a smaller file size; for example, mp3 codecs attempt to identify and remove portions of the signal that would not result in a perceived loss of quality of the sound to make the file smaller. These losses are sometimes noticeable and sometimes not. The more aggressive the compression setting chosen, the more data is removed. This can result in digital artifacts, which are audible errors created by the compression.

Lossless Codec: A lossless Category Archives: Audio Converter is one that achieves smaller file sizes through means other than removing data. This can include using a variable bit rate which would use fewer bits to encode silences as compared to an active section of music.

Some codecs may be configured to be either lossy or lossless.

 

Digital Audio

7.    What digital audio formats does NARA recommend for Federal records?

Based on the suitability characteristics identified earlier, the following formats are acceptable for files containing exclusively audio material, either spoken word or music, Category Archives: Audio Converter. In many cases, Category Archives: Audio Converter, the acronyms are also the file extensions for that file format.

  • Audio Interchange File Format (AIFF)
  • Uncompressed Waveform audio format (WAV)
  • Audio format (AU)
  • Uncompressed Broadcast Wave Format (BWF)
  • Free format Lossless Audio Codec (FLAC)
  • Motion Pictures Expert Group (MPEG) 4 Audio Lossless Coding format (ALS)

8.    What is the preferred codec for digital audio?

NARA recommends recording or digitizing audio using an uncompressed lossless codec, such as WAV-PCM.

9.    What is the preferred bit depth for digital audio?

"Bit depth" is the amount of data used to describe a specific section of source material. The preferred bit depth for audio recording is 24 bits per sample. The minimum bit depth is 16 bits per sample.

   What is the minimum preferred sampling rate for digital audio?

The sampling rate is the number of periodic samples of the source material taken in order to reproduce it accurately. All audio should be recorded at a minimum sample rate of KHz, although sampling at 96 KHz is encouraged.

   Are there any digital audio formats that do not have sufficient quality for archival retention?

NARA does not consider the following digital audio files to have sufficient quality for archival retention:

  • Files created for "streaming" broadcast (e.g. RealAudio, Windows Media) - these files sacrifice quality for file size. They are often reduced from high-resolution files by removing high and low frequency ranges and compressing the remaining signal.
  • Reference files of lower quality than original (e.g. for web site use) - again, these files sacrifice quality for file size.
  • Most audio files in the MPEG format (e.g. .mp3) - many varieties of the MPEG format are lossy, sacrificing quality for file size.

Further information on this issue will be provided when NARA promulgates formal transfer guidance on this topic.

 

Digital Video

   What digital video formats does NARA recommend for Federal records?

Based on the suitability characteristics identified earlier, the following formats are acceptable for digital video files:

  • Audio-Video Interleave format (AVI)
  • Material Exchange Format (MXF)
  • Quicktime format (MOV)

   What are the preferred codecs for digital video formats?

NARA recommends lossless open codecs such as Motion JPEG or HuffyUV.

However, when lossless codecs are not practical (e.g., business requirements for smaller file sizes), NARA suggests the following lossy codecs:

Agencies should be aware that not Category Archives: Audio Converter codecs are appropriate for every format.

   What are the height and width requirements for digital video?

NARA usually will accept whatever height and width the agency selects for its business needs; however NARA recommends a minimum x pixels at 30 frames per second.

   What are the color requirements for digital video?

The color depth of a digital video should match the number of colors as well as the color Category Archives: Audio Converter and luminance of the original material, Category Archives: Audio Converter. Black and white originals should be recorded in grayscale; color originals should be recorded in full-range color (8 bits per channel with 10 bits per channel preferred).

   Are there any specific quality requirements for the audio track of a digital video recording?

The primary consideration is that agencies should record the audio tracks of digital video recordings at 48KHz.

   Are there any digital video formats that do not have sufficient quality for archival retention?

NARA does not consider the following digital video files to have sufficient quality for archival retention:

  • Files created for "streaming" broadcast (e.g. RealAudio, Windows Media) - these files sacrifice quality for file size. They are often reduced from high-resolution files by removing high and low frequency ranges and compressing the remaining signal.
     
  • Reference files of lower quality than original (e.g. for web site use) - again, Category Archives: Audio Converter sacrifice quality for file size.
     
  • Files that have been transcoded. In other words, it Category Archives: Audio Converter not acceptable to render previously encoded content through another codec. Agencies should not apply a second codec to a file that has already been encoded.

 

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Amazon Transcribe

Amazon Transcribe makes it easy for developers to add speech to text capabilities to their applications. Audio data is virtually impossible for computers to search and analyze. Therefore, recorded speech needs to be converted to text before it can be used in applications. Historically, customers had to work with transcription providers that required them to sign expensive contracts and were hard to integrate into their technology stacks to accomplish this task. Many of these providers use outdated technology that does not adapt well to different Category Archives: Audio Converter, like low-fidelity phone audio common in Category Archives: Audio Converter centers, which results in poor accuracy.

Amazon Transcribe uses a deep learning process called automatic speech recognition (ASR) to convert speech to text quickly and accurately. Amazon Transcribe can be used to transcribe customer service calls, Category Archives: Audio Converter, automate subtitling, and generate metadata for media assets to create a fully searchable archive. You can use Amazon Transcribe Medical to add medical speech to text capabilities to clinical documentation applications.

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Minnesota Audio Conversion ServicesIn the digital age, audio quality has vastly improved. But as people try to switch to all the new media and get everything together on one device, Category Archives: Audio Converter, there are still many people who have audio recordings on outdated formats. In order to save and preserve these recordings and bring them into the digital age so that they can be on your one device, it is recommended to have them converted by a professional audio transfer services. Two Squares, located near Minneapolis, is a group of media preservation experts that can deftly transfer all of your outdated audio to a digital format. So if you want to have your audio, all of it, including stuff from 30, Category Archives: Audio Converter, 40 years ago, on one device, bring it into the experts at Two Squares. Continue reading &#;Minnesota Audio Conversion Services&#;→

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Services Offered

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Our office is open Monday through Friday with COVID safety Category Archives: Audio Converter in place. We also offer telemedicine appointments to new and Category Archives: Audio Converter patients. Please call to schedule a new consultation or to update an existing appointment. Your safety is top priority. Our providers and staff are fully vaccinated against COVID View our resources on the COVID Vaccine.

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We pride ourselves foremost on being ethical neurosurgeons and believe we can change our patients’ lives through compassionate care and open communication. The philosophy of Virginia Neurosurgeons has always been to be the patient’s advocate and ally in an era of increasingly corporate medicine and a dizzying array of treatment options. Our surgeons have remained steadfast as an independent neurosurgical practice so that they can serve as trusted, unbiased advisors and partners for your medical care. Many patients who see us will get better without surgery; we are here to help you achieve that goal. We are here to listen to your story and symptoms, identify the problem, and develop a sensible plan for your road to recovery. If that ultimately requires surgery, our neurosurgeons offer exceptional skill and expertise for you and your family.

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